— "'Ah, trait'ress, me betraying: Edward Loder and his librettos" in Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family, ed. Nicholas Temperley (Boydell and Brewer, 2016), 219-35.
— "Giuseppe Gallignani and the Beginnings of Dickensian Opera“ in "A harmless music": Il grillo del focolare di Charles Dickens sulle scene del teatro lirico, ed. Diego Cescotti and Federica Fortunato (Centro Studi Zandonai, 2015), 43-52.
— "'What means this wild, this allegorick Mask?’: British Anticipations of Romantic Opera c. 1740” in British Romanticism in European Perspective: Into the Eurozone, ed. Tristanne Connolly and Steve Clark (Palgrave Macmillan, 2015), 174-92.
— "Frost and the Masque Tradition" in Robert Frost in Context, ed. Mark Richardson (Cambridge University Press, 2014), 99-106.
— "'Small reverence for station': Walter Savage Landor's Subversive Shakespeare" in Shakespeare and the Culture of Romanticism, ed. Joseph M. Ortiz (Ashgate, 2013), 13-30.
— "Christmas Carols to Sing: The Rise of a Cultural and Commercial Phenomenon, 1936-1963," in Dickens in Japan: Bicentenary Essays, ed. Eiichi Hara et al . (Osaka Kyoiku Tosho, 2013), 62-78.
— “'In sickness, despair, and in agony': Imagining the King's Illness, 1788-1789” in Liberating Medicine, 1720-1835 , ed. Tristanne Connolly and Steve Clark (Pickering and Chatto, 2009), 109-25.
— “Walter Savage Landor and Wales in the 1790s” in Wales and the Romantic Imagination, ed. Damian Walford Davies and Lynda Pratt (University of Wales Press, 2007), 141-60.